Heraldic Science Héraldique
  • ARTICLES
    • Bannière de France et pavillon blanc en Nouvelle-France
    • De précieux bijoux de famille : une légende au sujet du castor
    • Des emblèmes canadiens sur soie
    • L’Amérindien stéréotypé en héraldique canadienne : son évolution en regard de l’image imprimée
    • La médaille Kebeca Liberata a-t-elle inspiré le premier sceau de la ville de Québec?
    • La société de la Nouvelle-France était-elle féodale ?
    • Le Québec sur le Red Ensign : une fantaisie commerciale
    • Le tourisme héraldique : France
    • Le visage sur les cartes de Champlain : portrait ou symbole? (English summary) >
      • Annexe I Cartes ornées de portraits d’explorateurs, navigateurs ou cartographes
      • Annexe II Dessins de Louis Nicolas illustrés de soleils et lunes à visage
    • L’imagerie et le symbolisme de saint Nicolas et du père Noël
    • L’origine symbolique et chevaleresque du nom Dracula
    • Les anciennes armoiries de Montréal
    • Les armes sur les cartes géographiques du Canada >
      • Les armes de souveraineté sur les cartes de la Nouvelle-France et du Canada
      • Cartes canadiennes aux armes de sociétés commerciales
      • Les armes personnelles sur des cartes du Canada
    • Les armoiries de Claude de Ramezay
    • Les armoiries de François-Joseph d’Estienne de Chaussegros de Léry, baron de l’Empire
    • Les armoiries personnelles en Nouvelle-France >
      • Annexe I - La noblesse contestée de Denis-Joseph Ruette d’Auteuil
    • Les armoiries personnelles au Québec
    • Les origines du castor et de la feuille d’érable comme emblèmes canadiens
    • Les pavillons de la marine marchande en Nouvelle-France
    • Les symboles d’une congrégation de sœurs en guerre
    • Les symboles monarchiques dans les emblèmes du Québec
    • Où est passée la bibliothèque de l'Institut Drouin?
    • Un puissant symbole de vengeance qui brave le temps
    • Une accusation de plagiat héraldique au XVIIe siècle
    • A Mystery Emblem for Manitoba
    • A Precursor to the Flag of Nova Scotia
    • Adding and Subtracting Lions
    • Augmentations of Patriotism to Canadian Emblems
    • Canadian Badges on Liberation Plates of the Netherlands
    • Canadian Civic Arms on Ceramics
    • Canadian Postcards with Emblems and Rhymes
    • Did Alexander Scott Carter Give Canada Its National Colours?
    • Entalenté à parler d’armes
    • Globe Crests of Early Navigators
    • Heraldic Anachronisms in Movies and Television Series
    • Heraldic Postcard Colouring Books
    • Heraldic Whimsies
    • Land of the Maple
    • Mystery flags on a Rennaisance map
    • Nineteenth Century Postcards with Canadian Symbols
    • Royalty Mingling with Beavers and Maple Leaves
    • Royal Warrants of Appointment
    • The Achievement of Arms of Bordeaux: an Emblem Born in Strife
    • “The Maple Leaf Forever”: a Song and a Slogan / The Maple Leaf Forever : une chanson et un slogan
    • The Mermaid in Canadian Heraldry and Lore
    • The Much Maligned Arms of the Canada Company >
      • Appendix I The “Au Camélia” Trade Card
      • Appendix II Stylisation Versus Distortion
    • The Rise of the Single Maple Leaf as the Emblem of Canada
    • The Unicorn in Canada
    • Why Was the Beaver Left Out of Canada’s Coat of Arms >
      • Appendix I The Beaver Cutting Down a Maple
      • Appendix II The Flag of the Beaver Line
    • Why Three National Symbols of Sovereignty for Canada?
  • OUVRAGES / WORKS
    • ​La recherche de symboles identitaires canadiens >
      • Avant-propos
      • I Le tricolore de la France >
        • Appendice - Illustrations du tricolore dans des journaux canadiens
      • II L’Union Jack et le Red Ensign >
        • Appendice - Génèse de l'Union Jack
      • III Le choix d’un drapeau national >
        • Appendice 1 - Lettre de Stanley à Matheson
        • Appendice II Symboles métropolitains dans emblèmes provinciaux
      • IV Un ajout aux armoiries du Canada
    • Mythes et légendes au sujet d’emblèmes canadiens >
      • Introduction
      • Les symboles titillent l’imagination
      • La feuille d’érable en Nouvelle-France
      • Le castor
      • Comment la feuille d’érable devient emblème
      • La Société Saint-Jean-Baptiste et la feuille d'érable
      • La licorne et sa chaîne
    • CANADA’S COAT OF ARMS Defining a country within an empire >
      • Preface
      • Chapter 1 European Heritage
      • Chapter 2 The Beaver and Maple Leaf
      • Chapter 3 The Dominion Shield
      • Chapter 4 One Resolute Man
      • Chapter 5 King Rules or Heralds Rule
      • Chapter 6 Bureaucrats and Artists
      • Conclusion
    • A GUIDE TO HERALDRY From a Canadian Perspective >
      • ACKNOWLEDGMENTS
      • PREFACE
      • Chapter I BIRTH AND SURVIVAL OF HERALDRY
      • Chapter II TAKING A CLOSER LOOK
      • Chapter III ARMS VERSUS LOGO
      • Chapter IV THE QUEST FOR ARMS
      • Chapter V DESIGNING ARMS >
        • ANNEX I
      • Chapter VI AN AUXILIARY SCIENCE >
        • ANNEX II
      • CHAPTER VII HERALDRY WITHIN THE SYMBOLS’ FAMILY
      • CONCLUSION
      • APPENDIX I LEARNING TO BLAZON
      • APPENDIX II TRACING PERSONAL ARMS IN VARIOUS COUNTRIES
      • APPENDIX III IDENTIFYING ARMS FROM VARIOUS COUNTRIES
      • BIBLIOGRAPHY
      • GLOSSARY
    • VARIATIONS IN THE ARMS OF SOVEREIGNTY CONNECTED WITH CANADA (a Pictorial Overview) >
      • The “Who was Who?” of Canadian Heraldry / Le « Qui était qui ? » de l’héraldique canadienne >
        • A
        • B
        • C
        • D
        • E
        • F
        • G
        • H
        • I
        • J
        • K
        • L
        • M
        • N
        • O
        • P
        • Q
        • R
        • S
        • T
        • U
        • V
        • W
        • X
        • Y
        • Z
        • APPENDIX/APPENDICE I
        • APPENDIX/APPENDICE II
      • Foreword
      • Royal Arms of Colonial Powers
      • Dominion Shields
      • Arms of Canada
      • Arms and Devices of Provinces and Territories
      • Afterword
    • Glanures héraldiques * Heraldic gleanings >
      • Projet d’un juge d’armes de France pour la Nouvelle-France / Project of a Judge of Arms of France for New France
      • The Arms of a Little-known Navigator / Les armes d’un navigateur peu connu
      • Une bouillabaisse sur écu / A Bouillabaisse on a Shield
      • Managing a Heraldic Conflict / Gestion d’un conflit héraldique
      • Une opinion sur les armes du Québec / An Opinion on the Arms of the Province of Quebec
      • La fleur de lis seule : marque d’autorité et de possession royales en Nouvelle-France / The Single Fleur-de-lis: a Royal Mark of Authority and Possession in New France
      • Un écu fictif pour Samuel de Champlain / A Fictitious Shield for Samuel de Champlain
      • Coïncidences héraldiques / Heraldic Coincidences
      • Vision d’une mort tragique ? / A Tragic Death Foretold?
      • The Mystery “Arms” of the North West Company / Les mystérieuses « armes » de la Compagnie du Nord-Ouest
      • Were the Arms of Newfoundland Granted to the Province Originally? / Les armoiries de Terre-Neuve étaient-elles originellement assignées à la province ?
      • A Tragedy Illustrated on a Coat of Arms / Une tragédie illustrée sur des armoiries
      • Une fleur de lis ardente / A Glowing Fleur-de-lis
      • Chadwick’s Écu Complet for the Dominion of Canada / Chadwick conçoit un « écu complet » pour le Dominion du Canada
      • A “The More the Merrier” Expression of Canadian Patriotism / Le patriotisme canadien selon la formule « plus il y en a, mieux c’est »
      • Gare aux blasphémateurs ! / Blasphemers Beware!
      • An Armorial Bookplate with International Scope / Un ex-libris d’intérêt international
      • La couleur sable est-elle issue d’une fourrure? / Was the Colour Sable Derived from a Fur?
      • Le gouffre, un symbole pré-héraldique universel / The Gurges, a Pre-heraldic Universal Symbol
      • The Customs Value of Heraldic Art / La valeur douanière de l’art héraldique
      • Don’t Tamper With Symbols! / Ne faussez pas les symboles!
      • Pulling Coats of Arms out of a Hat / Des armoiries tirées d’un chapeau
      • La feuille d'érable en chanson / The Maple leaf in song
      • La compagnie maritime Allan Line a-t-elle plagié le tricolore français? / Did the Shipping Company Allan Line Plagiarize the Tricolour of France?
      • Un emblème patriotique inclusif / An Inclusive Patriotic Emblem ​New Page

Appendix II
​
​The Flag of the Beaver Line
​

The Canada Shipping Company of Montreal was founded in 1867. The financial panic of 1893 caused difficulties for transatlantic shipping forcing the company to go into liquidation in 1894 and suspend sailing until the next year when it was placed under new management. In 1897 a new company called Beaver Line Associated Steamers was formed, but it also experienced financial problems and was taken over by Elder Dempster and Company in 1899 under the name Beaver Line of Steamers. The line was purchased by the Canadian Pacific Railway Company, so that the ship Lake Manitoba made its last voyage for the Beaver Line on 31 March 1903. The transition was symbolically signified on April 6 by hoisting the checkered white and red flag of the Canadian Pacific Railway on board the Lake Champlain in Liverpool (see fig. 1). [1]

Picture
Picture
Picture
​Fig. 1. Below the checkered white and red house flag of the Canadian Pacific Railway appears the inscription “On Board S.S. Lake Manitoba September 3, 1904. The same flag flies from the mast of the ship. Less than two years earlier, the Lake Manitoba belonged to the Beaver Line and flew its flag featuring a beaver in centre (fig. 2). It is interesting that the flag of the Canadian Pacific Railway was white and red long before these colours became those of Canada in the mantling of its coat of arms granted in 1921 and particularly in its national flag adopted in 1965. The mantling is the convoluted drapery flowing from the helmet on both sides of the shield.
​

​David R.P. Guay describes the Beaver Line flag as follows: “White with a blue border and a black beaver in centre.” [2] These colours are confirmed by Robert Finch who reproduces a sketch of the flag with the letters n/w B which for vexillologists mean black over white for the beaver and field and blue for the border. [3] I have found four depictions of the Beaver line flag all of which are black and white illustrations. The one in Guay’s work (p. 20) shows the beaver on what appears to be a log sprouting a shoot with three leaves near the head of the beaver that is facing the flagpole. A scroll below the flag bears the inscription BEAVER LINE. The original is probably in colour as it is a piece of Cauldon china and emblems are usually in colour on armorial china. The sketch accompanying Finch’s article shows the beaver facing the flagpole on a log with a branch at each extremity. A reproduction in Elizabeth Collard’s work is from “a plate made for Montreal’s Canada Shipping Company.” The beaver faces the flagpole and is in on a log with branches at each extremity. The whole is within a garter inscribed “CANADA SHIPPING COMPANY, MONTREAL.” A scroll below is inscribed “BEAVER LINE OF STEAMERS” [4] which dates the plate between 1899 and 1903. Since this badge-like depiction is on a ceramic plate, it is likely in colour, but the location of the piece is not mentioned. The last flag I have found is on a Beaver Line advertisement for passenger steamers from Liverpool to Canada and the United States (fig. 2). The beaver appears to be on a log with branches at each extremity, but unlike the other depictions, the animal faces away from the flagpole.
​
Picture
​Fig. 2. This Beaver Line advertisement for passenger steamers from Liverpool to Canada and the United States displays the flag of the Beaver Line. The advertisement mentions the Chicago Exhibition, namely the Chicago World’s Columbian Exhibition which lasted from 1 May to 30 October 1893. It is reproduced with the kind permission of Norway Heritage (www.norwayheritage.com) which allows the reproduction of images from its collection for non-profit purposes.
Notes

[1] David R.P. Guay, Passenger and Merchant Ships of the Grand Trunk Pacific and Canadian Northern Railways (Toronto: Dundurn, 2016), p. 20.
 
[2] Ibid., p. 263.
 
[3] Robert Finch, “Silent Parables,” 3, no.1 (issue 9, Spring 1988), p. 13.

[4] Elizabeth Collard, Nineteenth-Century Pottery and Porcelain in Canada, 2nd ed. (Montreal and Kingston: McGill-Queen’s University Press, 1984), p. 238.
 
See: Why Was the Beaver Left Out of Canada’s Coat of Arms?
​
Back
​
Home
Copyright  © Auguste & Paula Vachon